The godfather of pop art illustrates Under Milk Wood, landmark avant gardists link up and it’s Biennale week in Whitstable – all in your weekly dispatch

Peter Blake Sensitive illustrations for Dylan Thomas’s Under Milk Wood by the godfather of pop art. Waddington Custot, London, from 11 June to 23 July.

Gone Fishing The uncanny real life art of the Boyle Family features alongside the maverick experiments of John Latham. Flat Time House, London, from 16 June to 17 July.

Lucy Wertheim A celebration of the collector, patron and gallerist who was at the centre of British art in the 1930s. Towner Eastbourne from 11 June to 25 September.

Whitstable Biennale A week of art in this seaside town with participants including Nicole Bachmann, Patrick Flannery Walker, Ruth Waters, Sarah Craske and Savinder Bual. Various locations from 11 to 19 June.

Peter Saul Visceral splatters of cartoonish fun by the veteran American painter. Michael Werner through the summer.

Tributes have been paid across the world to influential Portuguese artist Paula Rego who died this week aged 87. Recognised as one of art’s great storytellers, her visceral, unsettling works were often inspired by folklore. A long-time resident of London, she was made a Dame in 2010. Read the full story here.

Antony Gormley is to become a German citizen after “tragedy” of Brexit

Thieves stole Banksy’s Bataclan mural with crowbar, a court was told

Tommy Kwak photographed Miami’s ornate lifeguard towers

William Morris’s wife was painted out of the Arts and Crafts movement

Goya’s horrific Black Paintings have been brought to life

Theaster Gates has punched a hole in the roof of his Black Chapel

US artist Deborah Roberts was enraged by the Child Q story

Artists have changed our picture of the Queen

The popularity of anti-slavery art is being challenged in New York

Henri Rousseau’s Surprised! (1891) The “jungle” in this painting exists to give form to the colours in Rousseau’s head. It is an abstract creation, a buoyant dance of greens and reds and bulbous, tubular geometries, all created by an act of will rather than observation. This was revolutionary in 1891 when artists were expected to study nature closely rather than flying off into their own minds. But Rousseau was a “naive”, untrained artist, and other modernists laughed at his innocent character. Infamously, a banquet for him at Picasso’s studio was intended more to mock than to celebrate this part-time painter. He has the last laugh in this undying masterpiece. The mad stare of the tiger, the glitter of foliage in a storm’s electricity, the rubbery textures of leaves, all add to its hallucinatory magic. It is art for everyone, adult or child, a vision that will never date. National Gallery, London.

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